SAVE WHAT YOU LOVE
Strange Stock Art Conservation provides preservation services relating to the repair and care of works on paper and photographic materials. The studio serves private collections and larger institutions with individual object treatments and large scale collection assessments. All objects receive comprehensive written and photographic documentation throughout examination and treatment. Consultation services are available in-house, onsite or for emergency response. The studio is led by Laura Moeller, a Professional Associate of the American Institute for Conservation (AIC). Whether you have a few pieces or an extensive collection, Strange Stock is here to Save What You Love®.
PRESERVING CULTURAL HISTORY
How can I discuss artwork that needs repair?
The best way to get in touch with Strange Stock Art Conservation is through the CONTACT page, but you may call:
859-739-3989 directly or email studio@strangestock.com
What is the difference between conservation and restoration?
The terms are often confused, but the practice of conservation involves the methods which foster maintenance of an object to keep it as close to its original condition and purpose of use, for as long as possible. This approach focuses on minimal intervention and the appropriate reversibility of treatments to aid in the assistance of treatments down the line. The consideration of material strength of an object and how it can best be treated and preserved for the future are key. Restoration often uses methods to enhance original materials and can overcompensate for missing information, oftentimes unfortunately favoring aesthetics over long-term stability.
How much does treatment cost?
Each object is unique and jobs are priced accordingly to how many hours it will take to complete the client desired work. Day rates for onsite evaluation are available in or out-of-state, please contact the studio for further information.
What kinds of objects do you repair?
Quite a variety! From 19th century mug shots to Matisse, the studio treats all kinds of pieces, including fine art prints, photographs, family documents, drawings, watercolors, vintage tattoo flash, antique maps, rock n' roll posters, scrolls, contemporary art, record album covers, outsider art, scrapbooks, sports memorabilia, movie sheets, collectible ephemera, game boxes and more.
My piece only has sentimental value, will that affect the cost?
No, it is unethical and a conflict of interest within the conservation profession for the cost of treatment to be based on the monetary value of an object. All pieces are treated with the same respect and fees are based on treatment needs.
What is a Professional Associate and who is the AIC?
The American Institute for Conservation (AIC) is a national membership organization which dedicates itself to the preservation of cultural material. The organization promotes scientific research and publications, while setting professional standards for the field. Professional Associate membership is a peer-reviewed status whose knowledge, training and experience has been vetted and recognized by a committee which verifies the candidate for professional conduct and upholding the AIC Code of Ethics.
Where are you located and can I swing by?
The studio is located in Dayton, Kentucky just across the river from Cincinnati. Of course we'd love to meet you and your collection. Please CONTACT the studio to make an appointment.
Do you offer art storage?
Yes! The studio is pleased to offer short-term or long-term onsite storage in our secured, climate-controlled, dedicated art storage vault for 2D and 3D collections. Art storage contracts include viewing privileges, condition reporting and documentation.
Do you accept shipments?
Strange Stock is lucky to meet so many faces behind the collection items, but sometimes clients can't schedule an in-person visit. Please call or email before sending items so we may advise on packing guidelines and shipping methods.
Do you offer job opportunities?
Strange Stock posts opportunities when available, please check back for updates.
- from ANDY WARHOL to UNCLE ANDY’S CHILDHOOD DRAWINGS -
